Charlie St. Cloud

 

 

                                                  I pick this film to analyse and it  a drama/fantasy/romance.it staring –zac efron ,kim basinger,Charlie tahan.

Zac efron is an outdoors tip person with build-up muscle and a life saver his rich beaus he go a boat a big house and he can dive and he do an think for his little brother and he makes proems and keep to them after the car crush u see him falling  a parte without this little brother with him and his fall over and he star seeing his dead brother  and play with him like he sill with him.

Charlie St. Cloud has been given the gift of seeing his deceased brother, but  when a new love interest is in trouble he must choose between saving a life or continuing to see his brother every day.

I want to see all the film because this is what happens in ever day life and people don’t know about it a touching film.

Soundtracks

Pull My Heart Away
Written by Jack Penate, Paul Epworth
Performed by Jack Penate
Courtesy of XL Recordings Ltd.

Charlie St. Cloud is classified in the film genre of a drama, as well as fantasy and romance. This film uses a mixture of two types of lighting style. The major lighting style used in most of the film is high-key lighting with a few scenes filmed with three-point lighting. The design of high-key lighting is to have very bright light over everything, with few shadows and low contrasts between the light and dark parts of the scene (Goodykoontz & Jacobs, 2011). Even though this film encompasses the death of a young child, it brings it too us in a different way. It shows us a celebration of life and how people can impact our lives even after they are gone.

Dialogue is simply the characters speaking to one another. Dialogue used to be very difficult to convey in an everyday setting in a film, but as technology has advanced it has become easier. Directors now have the ability to make conversation between characters flow as if they were speaking to each other in an everyday setting. Dialogue of movies also becomes memorable, such as phrases like “Hasta la vista, baby” or “We’re not in Kansas, anymore” (Goodykoontz & Jacobs, 2011).